In times of “Feelabration” here at Afro7, we’ve tried to trace the Afrobeat sound in the East and Central Africa. Are there any musicians from Kenya, Tanzania or Congo that can match the prowess and sound of Nigerias Fela Kuti and his counterparts? The closest we come to trace this sound is Johnny Bokelo’s ‘Nakupenda Sana’ that we posted a few years ago. A Congolese artists in the ranks of Verckys and Franco. Mbuta Teka’s Orchestra Baya Baya (an offshoot of Veves) released this track on the Tanzanian state run label Kwetu. A rumbling backbone, funky guitar lick, jazzy horns and a soaring organ line. A different kind of opening jam! Sadly for us Soukous fans it doesn’t really take off in part 2 but still some amusing solos and and quirky lyrics. “Kidogo Sana” means “a pinch..” or “very little.. ” in English. “Alright man! That is new sounds from Africa!!” Enjoy…
|A) Orch. Baya Baya ‘Kidogo Sana Pt. 1’
B) Orch. Baya Baya ‘Kidogo Sana Pt. 2’
With a good dose of Reggae and Eddy Grant’s magic touch, Nigerian born Sonny Okusun had a big international hit in 79 with the political fueled ‘Fire in the Soweto’. 2 years earlier he had released ‘Papas land’ a key Africa record that had impact spanning from west to east. Kenyans own pop star Slim Ali’s version features great horns, wah-wah, moog, and sassy vocals .. this is the version I personally come back to. Released on the mystical World Records label, responsible for catering the Kenyan music market with domestic artists but also acts ranging from pre-War Señor Soul to Kylie Minogue.
|B) Slim Ali ‘Papa’s Land’|
In all its splendor here is the original Kenyan ‘AFRO-ROCK’ label pressing from the mid-seventies. Let’s follow the lifespan of this song: 1977 – second pressing released in France . 1978 – Used in BBC documentary on African Music. 2001 – Compiled on Duncan Brooker’s Afro-Rock volume 1. 2005 – A remixed NYC/Cuban version with hip-hop vocals is released on Yerba Buenas Island Life album. 2006 – opens up the Last King of Scotland film, as soundtrack. 2010 – Afro-Rock Vol. 1 re-released by Strut with additional unissued material by the same artist. It could be interesting to know what Ismael himself gained from all this renowned fame. Ironically enough it seems from this deleted article that it was Kenya’s large on-going acts of music piracy that shelved his career back in the day. And sadly enough the article also tells us that Ismail Jingo passed away in Mombasa some years ago. In the light of its day ‘FEVER’ was obviously inspired by its West African contemporaries. With its catchy refrain, funky base and killer horn section it was unquestionably a hit record when it was released and to this day. Allegedly a dead rare original LP from Jingo also exists.
|A&B) Jingo ‘Fever’|
About time we posted something proper funky. A Killer ghetto production with a huge break, catchy horns and a infectious moog lick high up in the mix. And wait till the trumpet solo hits in the end. We’re suspecting this might be a cover of something coming out of the US in mid seventies? The WRC label is a weird one, with local cover productions, reggae hits and a lot of mediocre disco stuff. We’re glad Nairobi native George Fombe produced this one, as nearly everything that has his name on is gold. Where is he today and who said Kenya can’t be funky?
|A) Silver Survivors Experience ‘Funky-Station’|
We hit the first day of 2012 with this brilliant track from The Uppers hailing from Ghana. Unfortunately we don’t have much information on them except their former band name was Uppers International and they released a couple of singles on Polydor. With a mellow groove, keys, funky drumming and a jazzy trumpet and tenor-sax solo the scarce 2.50 track-time will have you wanting more. Also we’d love to know what the lyrics are in English, post a reply if you can translate. [audio:http://afroseven.net/songs/Uppers-chapter-two-Samari-bolga.mp3|titles=Uppers chapter two – Samari bolga]