This song rekindles memories of the fiery wave of the black consciousness movement that swept across the African diaspora from 1960s through to the ’80s. The Rift Valley Brothers band’s lyrics are seemingly a clarion call imploring local Kenyans to come to terms with their rich African roots and home-grown heroes. These were likely inspired and penned in praise of Kenya’s liberation struggle and key Mau Mau frontline freedom fighters. Several unsung and long forgotten ‘bush’ generals are saluted for their sweat, gallantry and bloodshed. But the underlying message is undeniably emphatic on the pressing need (especially for the younger generation) to embrace selfconsciousness and pride in their African heritage.
A) Rift Valley Brothers ‘Mu Africa’|
B) Rift Valley Brothers ‘Uhiki Wa Nduru’
As early as 1950s, electric guitars were a phenomenon in the Madagascar islands. In subsequent years, it was typical for lead guitarists to layer their strumming with dazzling riffs on a song hurtling along a frantic pace. This could have been the basis which likely influenced the late Jimmy Mawi’s style, long before he packed his bags destined for the Kenyan capital where he pitched tent in the mid 70s. Unwittingly, he was just coming ‘back home’ as at some point – Madagascar supposedly opted to break away from East Africa’s fold. More significantly, the islands have on instances been described as the country “..where old rock albums go to die..” This uncanny aphorism perhaps resonates with the groove that infuses hard-to-find, rare – until recently, handful tracks credited to Mawi. The not-so-popular Madagascan guitarist virtuoso’s insistent dance-frenzied, Afro-funk singles Black Star Blues, Let Me Keep Away From You, I Want Get Up and Black Dialogue – are already making a grand comeback on the global disco trail. Mawi’s name is undeniably as unfamiliar as his previously out-of-circulation songs, but which are now available on limited editions 10″ Vinyl on Soundway records. Incidentally, rave reviews blatantly draw parallels between Mawi’s “..rough heartfelt frenzy..” vocals expression with his first-name sake Jimi Hendrix’s bluesy funky-rock elements. These 45s were initially recorded some 40-years ago, during late 1970s in Nairobi, then East Africa region’s musical hub.
A) Jimmy Mawi ‘Vero’
B) Jimmy Mawi ‘Broken Love’
Kenyan singer Sal Davis has had a fascinating career and is still musically active; his ‘Makini’, released in Belgium in 1969, is a sought-after funky mod classic that was reissued on a collectors label in UK in 2008. He also recorded ‘Back in Dubai’ in 1984 which became a classic to the expat community there in the 1980s, participated in the UK Eurovision song festival in 1979, and further back he recorded a tribute to Qaboos, the Sultan of Oman who is said to have turned his country from a poor, rural society to an oil producing wealthy state in the 1970s (and he’s still in power today, ever since 1970). This ode to the sultan was released on Sal’s own label, the b-side is a lounge love song with funky drums but the a-side is what it’s all about. (Editors note; check out the interview with Thomas Gesthuizen aka Jumanne of africanhiphop.com with a brand new killer afro-disco mix to boot!
|A) Sal Davis ‘Sultan Qaboos Song’|
In all its splendor here is the original Kenyan ‘AFRO-ROCK’ label pressing from the mid-seventies. Let’s follow the lifespan of this song: 1977 – second pressing released in France . 1978 – Used in BBC documentary on African Music. 2001 – Compiled on Duncan Brooker’s Afro-Rock volume 1. 2005 – A remixed NYC/Cuban version with hip-hop vocals is released on Yerba Buenas Island Life album. 2006 – opens up the Last King of Scotland film, as soundtrack. 2010 – Afro-Rock Vol. 1 re-released by Strut with additional unissued material by the same artist. It could be interesting to know what Ismael himself gained from all this renowned fame. Ironically enough it seems from this deleted article that it was Kenya’s large on-going acts of music piracy that shelved his career back in the day. And sadly enough the article also tells us that Ismail Jingo passed away in Mombasa some years ago. In the light of its day ‘FEVER’ was obviously inspired by its West African contemporaries. With its catchy refrain, funky base and killer horn section it was unquestionably a hit record when it was released and to this day. Allegedly a dead rare original LP from Jingo also exists.
|A&B) Jingo ‘Fever’|