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Jimmy Mawi 'Vero/Broken Love' Razaka

malagasyAs early as 1950s, electric guitars were a phenomenon in the Madagascar islands. In subsequent years, it was typical for lead guitarists to layer their strumming with dazzling riffs on a song hurtling along a frantic pace. This could have been the basis which likely influenced the late Jimmy Mawi’s style, long before he packed his bags destined for the Kenyan capital where he pitched tent in the mid 70s. Unwittingly, he was just coming ‘back home’ as at some point – Madagascar supposedly opted to break away from East Africa’s fold. More significantly, the islands have on instances been described as the country “..where old rock albums go to die..” This uncanny aphorism perhaps resonates with the groove that infuses hard-to-find, rare – until recently, handful tracks credited to Mawi. The not-so-popular Madagascan guitarist virtuoso’s insistent dance-frenzied, Afro-funk singles Black Star Blues, Let Me Keep Away From You, I Want Get Up and Black Dialogue – are already making a grand comeback on the global disco trail. Mawi’s name is undeniably as unfamiliar as his previously out-of-circulation songs, but which are now available on limited editions 10″ Vinyl on Soundway records. Incidentally, rave reviews blatantly draw parallels between Mawi’s “..rough heartfelt frenzy..” vocals expression with his first-name sake Jimi Hendrix’s bluesy funky-rock elements. These 45s were initially recorded some 40-years ago, during late 1970s in Nairobi, then East Africa region’s musical hub.

Mombasa RootsA) Jimmy Mawi ‘Vero’
B) Jimmy Mawi ‘Broken Love’

Shiraz with the Sunny 'Karibu Karim' Alka

agakhan2Hazar Imam or Prince Shah Karim Al Hussaini Aga Khan is a British Shia Muslim imam and business magnate. His following in Eastern Africa extends to great recognition for his religious role and aid work. Given the fact that there are several development aid institutions, including health and education services with his name on it. In occasion of his 1981 visit to Kenya this single was issued by Ismailia Women’s association. Sung in Swahili ‘Karibu Karim’ delivers classical Indian instrumentation spiced with a cool 80s synth, catchy chorus in a trad meets modern package. Notice the slight taarab feel over the arrangements. Sadru & Zeenat Kassam on vocals. Music by Shiraz. Lyrics by Mansoor. Enjoy!

Ken-TanzaA) Shiraz with the Sunny ‘Karibu Karim’
B) Shiraz with the Sunny ‘Believe me, Na Badlenge Hum’

New Sunshine Band 'What do I Feel?' Sounds Express

jomoAnnouncement from the SOUNDS EXPRESS label! Straight from the hot press! Ladies and Gentlemen it’s the NEW SUNSHINE BAND! The second single from the band that has been creating FUZZ around your door, keeping the elders awake and the youngsters dancing their feet! Don’t miss out on the fun it’s the hottest sounds around! Evan and Sam at their catchy best! You don’t believe it? BELIEVE ME, BELIEVE IT!  For distribution and commercial inquiries visit Waceke Nganga Music Store River Road, Nairobi.

Ken-TanzaA) New Sunshine Band ‘What do you Feel?’
B) New Sunshine Band ‘Believe me, Believe it!’

Kenya Super Rumba 'Mpende Mwenzio' Ken-Tanza

cheetaWe’ve been digging through the Ken-Tanza label, check the new stock! One of favorite outputs is this monster modern RUMBA take, and a fine example of how a tune can sound totally different from part 1 to part 2. No info on the band on the net whatsoever. Credited to Solomon M. Kombo. I suspect it might be a offshoot group. Tune delivers tempo, and a superb-guitar drive, drum laden breakdown. “Hay-Hay” Cosmic!

Ken-TanzaA) Kenya Super Rumba ‘Mpende Mwenzio Pt. 1
B) Kenya Super Rumba ‘Mpende Mwenzio Pt. 2

Sal Davis 'Sultan Qaboos Song' SDP

Port Sultan Qaboos, Muscat, Oman.Kenyan singer Sal Davis has had a fascinating career and is still musically active; his ‘Makini’, released in Belgium in 1969, is a sought-after funky mod classic that was reissued on a collectors label in UK in 2008. He also recorded ‘Back in Dubai’ in 1984 which became a classic to the expat community there in the 1980s, participated in the UK Eurovision song festival in 1979, and further back he recorded a tribute to Qaboos, the Sultan of Oman who is said to have turned his country from a poor, rural society to an oil producing wealthy state in the 1970s (and he’s still in power today, ever since 1970). This ode to the sultan was released on Sal’s own label, the b-side is a lounge love song with funky drums but the a-side is what it’s all about. (Editors note; check out the interview with Thomas Gesthuizen aka Jumanne of africanhiphop.com with a brand new killer afro-disco mix to boot!

A) Sal Davis ‘Sultan Qaboos Song’

Omari Commander & his group 'Samahani' Almasi

About time we brought out another Taarab single, it’s taken a while as they are bloody hard to come by. Some of the bigger Kenyan Taarab labels like Pwani, Mzuri seem to be hard trace even in sales and auction lists. Taaarab is coastal music, Arabic fused rhythms of the Swahili coast, expanding from the south shores of Tanzania, Zanzibar and to the north shores of Lamu in Kenya. Often in small settings with Harmonium, wooden flutes and indian percussion. Omari is praying for his dead parents and he see them in his dreams. “Samahani” is a song about forgiveness.

AlmasiA) Omari Commander & his Group ‘Samahani’
B) Omari Commander & his Group ‘Omari Baba Mzazi’
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