By the time multi-instrumentalist Francis Njoroge released his first solo single, he’d already been recording for more than a decade. An early trace of his musical activity is found on a classic Zamrock album ‘Soweto’ by Rikki Ililonga, recorded in Nairobi and released in 1977. A founding member of Afro disco/funk/rock group Makonde, it’s the track ‘Manzara’ (catapulted to b-boy classic by Afrika Bambaataa and Jazzy Jay back in 1977) that’s become Francis’ most well-known song worldwide, although until recently he was not even aware of the fact. When Makonde broke up in between a European tour and a US gig that never happened, he joined the African Heritage Band, one of the hot new names on the Nairobi live scene at the dawn of the 1980s. Shortly after a European tour he quit the band to take up a gig at a new night club in town. Together with fellow Makonde veteran Sammy Kasule he then formed a new group called Radi whose music leaned on boogie-funk. Another project in the ‘80s was Jabali, whose ‘Folk Song (Kanyoni)’ was an audience favourite. Musically it sounds like a stepping stone towards the sound on ‘Dai’, with its drum machine, synth bass and poppy arrangement. The latter was a full-on dancefloor oriented track that came with a dubby remix on the flipside. And where ‘Folk song’ mixed English and Kikuyu lyrics, Dai (‘riddles’) was all Kikuyu: a lyric urging the young generation to maintain the tradition of telling riddles. Originally released on the small Turbo label as a 45, it had disappeared into oblivion until last year when we dug up a copy in a Kikuyu ex-DJ’s private collection in a wooden cottage outside Nairobi.
A) Francis Njoroge ‘Dai’|
B) Francis Njoroge ‘Dai’ ReMix
One of the great Somali female vocalists of her time was Faadumo Qaasim, from the Benadiri ethnic group. She passed in 2011 but the composer Said Harawo is to this day still living in Mogadishu and working at the National theatre of arts. Though constant menacing threats of the Al Shabaab towards music and culture, it’s sad to say the fear has put restrains on his movements. He rarely leaves his house these days. The song Majogo means I am not here. It’s a love song. She is singing how she is unavailable for love. At the same time she says “I am so in love with you my body aches” Another classic case of being love sick. So instead of welcoming love, she would rather chase it away.Berflasana is sung by another artists who is sadly not among us anymore. Ahmed Sharief Yusuf, also from the Benadiri tribe with roots in Yemen, where he relocated after the civil war. Berflasana means we are going to farm. Somalis are typically nomad culturally, where farming is very limited. Back in 60s and 70s the government introduced programs to promote farming. This song talks about the pros and cons of farming. It says that we are going to farm if we want food. If we don’t farm we going be depend hand-outs or aid. This single is now available again from afro7.net. head over to the shop and grab your copy. Special thanks to Keynaan Cali for the translations!
A) Faduma Kassim ‘Majogo’|
B) Ahmed Sharief Yusuf ‘Berflasana’
Born in Nyeri in 1953, Rachel Wanjiru, aka Tanya Ria singing came at an early age, as a dedicated Christian in the Kikuyu tribe choir practice is day to day routine. It was in 1977 Kenyan music journalist Nick Ayub and producer Joe Rogoiyo took her to the studio and recorded Do the Smasher and Love You Didn’t Want backed up by the Trippers band(not to be confused with the Tanzanian outfit) led by Francis Njoroge on Keys, Berry on guitar, Charlie Muthemba on bass and Franco on drums. However it was a short-lived singing career, she was professionally a physiotherapist and that took over her time. Sadly Tanya Ria passed in 2013 only 60 years old. It was to her family great surprise they stumbled upon her mother’s recordings on afro7.net by googling her stage name. It was the first time they had heard these songs! Back on wax again as a limited single, with press out centre and silk pressed custom sleeve. Check out the tracks below and buy direct through our order page.
A) Tanya Ria ‘Do The Smasher’|
B) Tanya Ria ‘The Love You Didn’t Want’
SCREW RECORD STORE DAY! We would have had AFRO7 01 & 02 singles available by this date, but they didn’t make it. On the positive side, we got this one in our store: The Scorpios A west London based Sudanese band playing Traditional tribal songs about family, love and religion from central Sudan. The songs which were played at weddings get together’s, religious ceremonies and events. Many of the musicians moved from Sudan after the Islamist take over and play music coming from a 60’s and 70’s inclination. At that time there was a melting pot in Sudan with many western influences with roots in South American, Funk and Rock&Roll. Sudan was always the country at the Horn of Africa country most willing to mix these influences. The music consists of Arabic rhythms with guitars, heavy bass and synths and sometimes horns supported by heavy percussion and drums. The music consists of songs either sung by women or men depending on the nature of the songs. Much of this music is slowly being forgotten by newer generations from Sudan. This limited single is just a teaser for the full album coming later this year. Hear or download full mp3 tracks in the links below. If you like it head over to the store to grab your copy!
A) The Scorpios ‘Yaelhajarok (They Leave You For Me)’|
B) The Scorpios ‘Yadob Yadob (A New Beginning)’
‘See Lamu, see Paradise’ describes the archipelago of Indian Ocean Islands off Kenya’s northern shores. Each Island has its share of Arabian Nights’ history, often only preserved in song and folk-tale, and this collection contains recordings of music which has all but disappeared into the mist of Time. Under the palm trees beside the white sand beaches, on sea-going dhows and in time of traditional celebrations, singers and instrumentalist give you songs of long ago with authenticity and lilting loveliness. A1) Song Of The Coconut Climers: ‘Life is a gift from God’, is the message from this gay melody. A2) Flute Among The Sand Dunes: On the eve of a celebration, soft music of the flute floats hauntingly in the Lamu air. A3) Lamu Love Song: A poem of dreams – treasure and a wedding bed made of Ivory tusks, sung here in a narrow backstreet by Hadija Hamisi. A4) The Siwa Horns Of Lamu: As sailing dhows return from their long sea-journeys, captains order the traditional Siwa horns to be Blown. A5) Ocean Song: In a beautiful melody, accompanied on the bow-harp Uta, Athman bin Khamis tells the love of the sea. B1) Uta Dance: The abundance of the coconut crop brings this happy celebration from the pickers, with their UTA bow-harp. B2) Zumari Music: A wedding celebration by the high-pitch traditional wind instrument of the islands. B3) Love Poem of Mwana Kupona: Lessons of the happy life and successful marriage. B4) Matondoni Celebration: The women of this little village gather, with drums and horns, to dance the age-old Vugo. B5) Coconut Climbers Dance: Warm nights are gladdened by the enchanting music of this dance by the coconut gatherers.
And now for something completely different! The Black Savage group, famous for the rare mid-70s EMI LP. The band line-up featured one prominent member; Job Seda, better known as Ayub Ogada (later released an album on Peter Gabriels Real World label) In a Pink Floyd-esque landscape these two tracks are oddball and unique enough to go unnoticed. Completely without any noticeable local rootings, except the lyrics. There is an uncanny quality over them and both songs complete with anti-hunting lyrics “Save the Savage, don’t shoot ‘em down, they are trying to survive, they have feelings too…You know people, I think it’s very strange. How would you feel if someone was wearing your skin, or wrapping it around their feet, have you ever stopped to think, that all these animals all over the world, you know they have feelings too, bet you never thought of that, there you go shooting them down hanging them up on your wall to hide the cracks!”. Thanks to Jumanne Thomas for finding the tunes!
A) Black Savage ‘Do You Really Care’|
B) Black Savage ‘Save The Savage’